Adler, Ted | Kansas
My work is an interrogation of the fundamental sen
My work is an interrogation of the fundamental sen
AKAR | Iowa
Allee, Jake | Colorado
I employ the ideas of the Gestaltist to arrange an
I employ the ideas of the Gestaltist to arrange an
Allen, Jennifer | West Virginia
My focus is to express sentiments of beauty and jo
My focus is to express sentiments of beauty and jo
Andersen, Stanley | North Carolina
I work with earthenware clay and am concerned prim
I work with earthenware clay and am concerned prim
Anderson, Dan | Illinois
My artwork, an amalgam of vessel and industrial ar
My artwork, an amalgam of vessel and industrial ar
Anderson, Kurt | Louisiana
I am generally attracted to the raw and the unrefi
I am generally attracted to the raw and the unrefi
Andersson, Stefan | Sweden
I work with small, persistent steps. Every piece i
I work with small, persistent steps. Every piece i
Aquillano, Nicole | Massachusetts
I am forever influenced by my longing to return to
I am forever influenced by my longing to return to
Arbuckle, Linda | Florida
The functional vessel as an art object provides pe
The functional vessel as an art object provides pe
Archambeau, Robert | Canada
"My goal would be to continue developing those asp
"My goal would be to continue developing those asp
Argentina, AJ | Georgia
I work within a functional format and am informed
I work within a functional format and am informed
Assad, Christa | California
Making pots provides a few very important things f
Making pots provides a few very important things f
Bacopoulos, Posey | New York
In my work, it is my intention to create pots that
In my work, it is my intention to create pots that
Bagger, Erik | Denmark
(b. 1949) is originally a goldsmith by trade. Afte
(b. 1949) is originally a goldsmith by trade. Afte
Baker, William | North Carolina
My current work reflects a careful balance of form
My current work reflects a careful balance of form
Balistreri, John | Ohio
The Pottery forms I have selected for this show ar
The Pottery forms I have selected for this show ar
Balmer, Andy | Oregon
I've been making pots for 35 years with my wife, P
I've been making pots for 35 years with my wife, P
Barringer, Mary | Massachusetts
Pots enmesh me in time. Clay’s nature and transfor
Pots enmesh me in time. Clay’s nature and transfor
Bassion, Kirsten | Massachusetts
I create functional pottery for daily use. I hope
I create functional pottery for daily use. I hope
Bates, Ben | Illinois
I am interested in the functional format as a real
I am interested in the functional format as a real
Beckelman, John | Iowa
The work, thrown on a potter's wheel, then further
The work, thrown on a potter's wheel, then further
Bivins, Nicholas | Montana
The ultimate goal of my work is to recover vitalit
The ultimate goal of my work is to recover vitalit
Bolton, David | Illinois
I view my family as my first teachers with their s
I view my family as my first teachers with their s
Borgeson, Karl | Wisconsin
My current work takes two overlapping directions.
My current work takes two overlapping directions.
Bouwkamp, Brooks | Michigan
It is only natural that I work with crystalline gl
It is only natural that I work with crystalline gl
Bowers, Lynn Smiser | Texas
For thirty years, I have been a professional potte
For thirty years, I have been a professional potte
Boyden & Coleman Collaboration | USA
The Collaborative Ceramics of Frank Boyden and Tom
The Collaborative Ceramics of Frank Boyden and Tom
Boyden, Frank | Oregon
ACADEMIC & PROFESSIONAL TRAINING
1968
Yale Unive
ACADEMIC & PROFESSIONAL TRAINING
1968
Yale Unive
Brant, Jenni | Nebraska
My understanding of beauty is rooted in my rural m
My understanding of beauty is rooted in my rural m
Branum, Wayne | Wisconsin
If you happen to fall in love with pots and clay I
If you happen to fall in love with pots and clay I
Bringle, Cynthia | North Carolina
Having painted in my early days, I went to the Mem
Having painted in my early days, I went to the Mem
Briscoe, Robert | Minnesota
For over 40 years, I have essentially been a potte
For over 40 years, I have essentially been a potte
Britt, John | North Carolina
I have been making pottery for over 26 years and s
I have been making pottery for over 26 years and s
Brown, Mariko | Illinois
My fascination with pottery comes from my desire t
My fascination with pottery comes from my desire t
Brown, Renee | Montana
I grew up in Conyers, Georgia playing in the creek
I grew up in Conyers, Georgia playing in the creek
Buck, Lisa | Minnesota
I grew up in a household that valued working with
I grew up in a household that valued working with
Buehler, Cindy | Missouri
Burd, Chris | Iowa City
I am fascinated by process, the way it works on me
I am fascinated by process, the way it works on me
Burnett, Jason | Tennessee
The subject matter I explore is "home" and my fasc
The subject matter I explore is "home" and my fasc
Burns, Patricia | Oregon
I’ve always had an affinity for porcelain. I’m int
I’ve always had an affinity for porcelain. I’m int
Callas, Peter | New Jersey
My life, together with my art has been a work in p
My life, together with my art has been a work in p
Campana, Jeff | Montana
I draw lines by dissecting and immediately reassem
I draw lines by dissecting and immediately reassem
Campbell, Chris | Texas
The idea of function in the Arts Community is ofte
The idea of function in the Arts Community is ofte
Carpenter, Kyle | North Carolina
As a studio potter, I work diligently to make well
As a studio potter, I work diligently to make well
Carter, Ben | Virginia
After extensive travel in Asia and Europe my resea
After extensive travel in Asia and Europe my resea
Ceramic Books | AKAR
Cho, Billy | Iowa
My works are inspired by many disparate things tha
My works are inspired by many disparate things tha
Christen, Victoria | Oregon
A pot is like a hand shake from the maker to the u
A pot is like a hand shake from the maker to the u
Christianson, Linda | Minnesota
My daily practice begins with the making of 4 teab
My daily practice begins with the making of 4 teab
Chung, Sam | Arizona
A consistent point of departure for my work has be
A consistent point of departure for my work has be
Clarke, Bede | Missouri
My goal in making this work has been to create qui
My goal in making this work has been to create qui
Cleary, Naomi | Pennsylvania
Dishes hold potential for human connection through
Dishes hold potential for human connection through
Clemo, A. Blair | Michigan
My current work is primarily made from both wheel-
My current work is primarily made from both wheel-
Clennell, Sheila | Ontario
I am drawn to form before surface. The forms are t
I am drawn to form before surface. The forms are t
Clennell, Tony | Ontario
My work at it's best is strong, casual, confident
My work at it's best is strong, casual, confident
Cobb, Sunshine | Montana
I want my work in clay to represent growth and acc
I want my work in clay to represent growth and acc
Cochenet, Greg | Connecticut
My work is a creative remnant, much like the agrar
My work is a creative remnant, much like the agrar
Cochrane, Bruce | Canada
After 25 years of working in clay, utility continu
After 25 years of working in clay, utility continu
Coffin, Nan | California
As a self-employed potter who works alone, yet enj
As a self-employed potter who works alone, yet enj
Colby, Steven | Colorado
My studio practice is centered around observation
My studio practice is centered around observation
Cole, Mark | Nebraska
I make pottery because I want to make purposeful o
I make pottery because I want to make purposeful o
Coleman, Elaine | Nevada
I have been incising porcelain for thirty years an
I have been incising porcelain for thirty years an
Coleman, Tom | Nevada
I’ve been writing artist statements for many years
I’ve been writing artist statements for many years
Connelly, Michael | Pennsylvania
The physical rhythm of working gives life meaning.
The physical rhythm of working gives life meaning.
Cooper, Scott | Indiana
I started making pots as a college student in 1992
I started making pots as a college student in 1992
Cooter, Dick | Minnesota
I follow the tradition in which making a pot is a
I follow the tradition in which making a pot is a
Copus, Josh | North Carolina
Josh Copus was raised in a close-knit community of
Josh Copus was raised in a close-knit community of
Corney, Michael | California
EDUCATION
1983-1985 Master of Fine Arts, Cranbroo
EDUCATION
1983-1985 Master of Fine Arts, Cranbroo
Covington, Julie | North Carolina
Over the last several years I have been lucky enou
Over the last several years I have been lucky enou
Crane, David | Virginia
The pottery that I make is guided by a curiosity a
The pottery that I make is guided by a curiosity a
Cuellar, Guillermo | Minnesota
I fell in love with the potter's wheel and the unp
I fell in love with the potter's wheel and the unp
Curran, Bernadette | Pennsylvania
The animal has been drawn to make and made to draw
The animal has been drawn to make and made to draw
Davis, Israel | Michigan
The objects that I make are based upon a series of
The objects that I make are based upon a series of
Davis-Woodard, Charity | Illinois
As a maker of useful objects I am always in search
As a maker of useful objects I am always in search
DeBuse, Chandra | Missouri
My functional pottery incorporates narrative image
My functional pottery incorporates narrative image
DeWeese, Josh | Montana
I am inspired and challenged by the art of pottery
I am inspired and challenged by the art of pottery
Dewsnap, Susan | Maine
My recent work has been an investigation into the
My recent work has been an investigation into the
Dondero, Maria | Georgia
I want my work to show a conscious process, an alt
I want my work to show a conscious process, an alt
Donnelly, Paul | Missouri
With the current body of work that I am producing
With the current body of work that I am producing
Duff, Judith | North Carolina
I will try to speak of the beauty of shapes… They
I will try to speak of the beauty of shapes… They
Dymel, Ashka | New York
ARTIST STATEMENT
Ashka’s approach to jewelry ma
ARTIST STATEMENT
Ashka’s approach to jewelry ma
Eichelberger, David | North Carolina
Functional qualities, visual rhythms, and exaggera
Functional qualities, visual rhythms, and exaggera
Emami, Sanam | Colorado
My pots and tiles are made with a specific intent
My pots and tiles are made with a specific intent
Errol, Mark | Georgia
Using a multitude of techniques including a combin
Using a multitude of techniques including a combin
Evans, Jana | Arizona
I investigate intimacy which is inherent in handma
I investigate intimacy which is inherent in handma
Field, Adam | Colorado
I am fascinated with antique artifacts, the way th
I am fascinated with antique artifacts, the way th
Fielding, Marty | Florida
The inherent usefulness of pottery has provided a
The inherent usefulness of pottery has provided a
Fliegel, Shanna | Montana
Still life images of drawn animals, people, and ot
Still life images of drawn animals, people, and ot
Fortuna, Delores | Illinois
Forming function, a dance, often a tug of war betw
Forming function, a dance, often a tug of war betw
Freund, Brett | Illinois
It is hard to separate from the rat race of contem
It is hard to separate from the rat race of contem
Fujii, Yoshi | Maryland
Yoshitaka Fujii is a resident artist and instructo
Yoshitaka Fujii is a resident artist and instructo
Fung, Angela | United Kingdom
Born in Mozambique, educated in Macau and England,
Born in Mozambique, educated in Macau and England,
Gallaspy, Lauren | Georgia
I want to make work in which conventional hierarch
I want to make work in which conventional hierarch
Galloway, Julia | Montana
I am interested in pottery that is joyous; objects
I am interested in pottery that is joyous; objects
Gardner, Nancy | Illinois
My work is both functional and decorative, bringin
My work is both functional and decorative, bringin
Garretson, Daniel | Massachusettes
The intersection between ideas and experiences con
The intersection between ideas and experiences con
Gebben, Willem | Wisconsin
In my work there are a number of issues which inte
In my work there are a number of issues which inte
Gentry, Ernest | Utah
Formal synthesis
Incites visual cues to
Tactile
Formal synthesis
Incites visual cues to
Tactile
Gholson, Bruce | North Carolina
I am always amazed at how classically traditional
I am always amazed at how classically traditional
Gilbert, Karen | California
“I am drawn to that which is overlooked.
In obser
“I am drawn to that which is overlooked.
In obser
Gilliatt, Andrew | Montana
I design and fabricate objects for domestic use. T
I design and fabricate objects for domestic use. T
Glick, John | Michigan
I work extensively with the potter's wheel, where
I work extensively with the potter's wheel, where
Godfrey, Steve | Alaska
There is a tradition in jazz in which a musician e
There is a tradition in jazz in which a musician e
Goldberg, Scott | Maine
I see myself as a “classical” potter in the sense
I see myself as a “classical” potter in the sense
Gossman, Bill | Minnesota
My medium is clay, or more specifically, stoneware
My medium is clay, or more specifically, stoneware
Gottuso, Jim | Kentucky
I am very interested in the complete cycle of crea
I am very interested in the complete cycle of crea
Gould, Gabrielle | Florida
The subjects that I use in my jewelry - various an
The subjects that I use in my jewelry - various an
Graff, Jennifer | Georgia
For the past few years the majority of my work has
For the past few years the majority of my work has
Granatelli, Silvie | Virginia
A pot has the capacity to give and receive simulta
A pot has the capacity to give and receive simulta
Greenheck, Ryan | Pennsylvania
A structured composition is vital within the frame
A structured composition is vital within the frame
Griffin, Mel | Montana
My art practice is essentially a statement of fait
My art practice is essentially a statement of fait
Grover, Martha | Montana
I seek to enhance the experience of interacting wi
I seek to enhance the experience of interacting wi
Gulden, Tyler | Maine
This work follows a tradition of atmospheric firin
This work follows a tradition of atmospheric firin
Guncheon, Jeanine | Illinois
I have always been acutely interested in aesthetic
I have always been acutely interested in aesthetic
Gustin, Christopher | Massachusetts
I am interested in pottery that make connections t
I am interested in pottery that make connections t
Guyot, Julie | Florida
My work examines a history through photographs and
My work examines a history through photographs and
Halko, Amy | Texas
Pottery is unique in its proximity to our daily li
Pottery is unique in its proximity to our daily li
Halvorsen, Arthur | Massachusetts
I make functional pottery for daily use in the hom
I make functional pottery for daily use in the hom
Hansen, Kenyon | Montana
I believe that finely crafted, thoughtfully made p
I believe that finely crafted, thoughtfully made p
Hanson, Doug | Iowa
I believe that most of the elements in an artist’s
I believe that most of the elements in an artist’s
Heimann, Sarah | New Hampshire
My work is primarily thrown. I spend much of my ti
My work is primarily thrown. I spend much of my ti
Helke, Mike | Wisconsin
Any source or experience could be the precursor to
Any source or experience could be the precursor to
Henneke, Samantha | North Carolina
Making pottery in the studio is an orchestration o
Making pottery in the studio is an orchestration o
Hensley, Richard | Virginia
Having been a potter now for my entire adult life
Having been a potter now for my entire adult life
Hess, Jason | Arizona
A desire to have objects that fulfill specific pur
A desire to have objects that fulfill specific pur
Hewitt, Mark | North Carolina
Although the eminent folklorist, Henry Glassie, de
Although the eminent folklorist, Henry Glassie, de
Higgins, Autumn | Louisiana
The search for approval causes daily insecurities
The search for approval causes daily insecurities
Hill, Steven | Illinois
I simply have to make pots! While making pottery n
I simply have to make pots! While making pottery n
Hindes, Chuck | Washington
My work has two primary inspirations. First, the
My work has two primary inspirations. First, the
Hoffman, Sam | Oregon
I am interested more in artistic exploration than
I am interested more in artistic exploration than
Hopkins, Bryan | New York
Following in the lineage of “fine china” I produce
Following in the lineage of “fine china” I produce
Host, Meredith | Missouri
I am a collector of overlooked patterns, patterns
I am a collector of overlooked patterns, patterns
House, Harlan | Canada
Why junk food images?
For those of you who may
Why junk food images?
For those of you who may
Hunt, Michael / Dalglish, Naomi | North Carolina
We make our pots using primarily coarse, impure lo
We make our pots using primarily coarse, impure lo
Hunter, Stanton | California
As my work has progressed, I have moved towards br
As my work has progressed, I have moved towards br
Hyleck, Matt | Maryland
My ceramic works are informed directly by my love
My ceramic works are informed directly by my love
i Design Distribution | New York
i Design, founded in 2002, set its vision to becom
i Design, founded in 2002, set its vision to becom
iittala | Finland
Leading design company in homeware. Its success is
Leading design company in homeware. Its success is
Ireland, Shawn | North Carolina
Most of 2012 was spent working for the University
Most of 2012 was spent working for the University
Ishler, Dan | Washington
My first experiences with clay, watching and feeli
My first experiences with clay, watching and feeli
Jabbur, Mike | Virginia
“…in the long run there results something for whic
“…in the long run there results something for whic
Jack, Marlene | Virginia
Many things influence my work including the long h
Many things influence my work including the long h
Jaeger, Sarah | Montana
Functional pots cohabit our intimate domestic spac
Functional pots cohabit our intimate domestic spac
Jahn, Greg, & Nancy Halter | Montana
The privilege of being an artist implies ‘living a
The privilege of being an artist implies ‘living a
Jaszczak, Tom | Montana
Line and form drive my making. Line accents the ch
Line and form drive my making. Line accents the ch
Jefferson, Cathi | Canada
My work is so influenced by the natural beauty tha
My work is so influenced by the natural beauty tha
Jensen, Ben | Iowa
I make specific choices in my work in order to mak
I make specific choices in my work in order to mak
Joerling, Nicholas | North Carolina
Occasionally I describe myself as a hand-builder a
Occasionally I describe myself as a hand-builder a
Johnson, Julie | New York
The search to find a balance between the decorated
The search to find a balance between the decorated
Johnson, Samuel | Minnesota
Recently, I’ve been producing two separate but rel
Recently, I’ve been producing two separate but rel
Joseph, Cary | New York
I have been a studio potter since 1990 starting at
I have been a studio potter since 1990 starting at
Kaplan, Jonathan | Colorado
Maturity in my work has been most evident in the l
Maturity in my work has been most evident in the l
Kasten, Ani | Maryland
Investigating the materiality of the clay is the f
Investigating the materiality of the clay is the f
Kelleher, Matt | North Carolina
Pottery is a continuous curiosity; how it's made,
Pottery is a continuous curiosity; how it's made,
Kieffer, Kristen | Massachusetts
I make pottery that rings elegance, sophistication
I make pottery that rings elegance, sophistication
Kim, Ashley | California
I am a clay artist. It has been nearly 20 years si
I am a clay artist. It has been nearly 20 years si
King, Kelly | Georgia
I am interested in fusing personal content with fu
I am interested in fusing personal content with fu
Kline, Amy | Nevada
Touching (and being able to feel) is what moves me
Touching (and being able to feel) is what moves me
Kline, Michael | North Carolina
Michael has been a studio potter since 1993. He st
Michael has been a studio potter since 1993. He st
Knoche, Eric | North Carolina
My current work ranges from small puzzles to human
My current work ranges from small puzzles to human
Konzuk | Calgary
KONZUK rejects the perception of jewelry as a mere
KONZUK rejects the perception of jewelry as a mere
Koonce, Lucien | Massachusetts
I approach the composition of my work with spontan
I approach the composition of my work with spontan
Kreeger, Keith | Texas
In my home, mornings begin with a cabinet full of
In my home, mornings begin with a cabinet full of
Krupka, Ben | Washington
My pots are part of an ongoing investigation roote
My pots are part of an ongoing investigation roote
Kunisch, Philippa | London
Lauded costume designer Philippa Kunish reinvented
Lauded costume designer Philippa Kunish reinvented
Lambert, Justin | Florida
An interest in objects that serve a specific purpo
An interest in objects that serve a specific purpo
Lantin, Martina | Vermont
I find earthenware the most seductive clay body. U
I find earthenware the most seductive clay body. U
Lee, Steven | Montana
My work investigates how individual perceptions ar
My work investigates how individual perceptions ar
Lehman, Dick | Indiana
To choose pottery is to make so many other choices
To choose pottery is to make so many other choices
Leonard, Clay | Ohio
We live in an era where indirect forms of communic
We live in an era where indirect forms of communic
Lesch-Middelton, Forrest | Utah
Even the subtlest influences from outside any give
Even the subtlest influences from outside any give
Levin, Simon | Wisconsin
Connection to our world and people around us is th
Connection to our world and people around us is th
Levin, Simon/Smith, Amy | Wisconsin/Nebraska
EXHIBITION RECORD
JURIED
Strictly Functional P
EXHIBITION RECORD
JURIED
Strictly Functional P
Lichman, Brenda | Kansas
Making things is important to me. It is the way th
Making things is important to me. It is the way th
Lindsay, Suze | North Carolina
Pots are like people. Their form is described by s
Pots are like people. Their form is described by s
Lorio, Jim | Colorado
I see the pot as a completed object, standing visu
I see the pot as a completed object, standing visu
Lurie, Elizabeth | Michigan
Form and line are what I notice first about almost
Form and line are what I notice first about almost
Madan, Ruchika | Massachusetts
Summer Hum, Artist Statement October 2012 - This w
Summer Hum, Artist Statement October 2012 - This w
Madeja, Patricia | New York
"I enjoy the challenge of working with pure unorna
"I enjoy the challenge of working with pure unorna
Mangus, Kirk | Ohio
I am fortunate enough to have used many different
I am fortunate enough to have used many different
Marraffino, Sarah-Anne | Florida
My love of art, precious objects, family heirlooms
My love of art, precious objects, family heirlooms
Martin, Courtney | North Carolina
Courtney Martin is a full-time studio potter livin
Courtney Martin is a full-time studio potter livin
Matisse, Alex | North Carolina
I grew up in a converted white clapboard church in
I grew up in a converted white clapboard church in
May, Shadow | Tennessee
I work from the perspective that life is fleeting.
I work from the perspective that life is fleeting.
McCauley, George | Montana
George McCauley, a Greek/American potter, has had
George McCauley, a Greek/American potter, has had
McFarling, Linda | North Carolina
My aim as a functional potter is making pots that
My aim as a functional potter is making pots that
McGovern, Matthew | Michigan
The inherent plasticity of clay, the fluidity of t
The inherent plasticity of clay, the fluidity of t
McKerley, Ryan | Texas
Firstly, I make Porcelain Objects (P.O.s) because
Firstly, I make Porcelain Objects (P.O.s) because
McLaughlin, Kent | North Carolina
I make pots because I love the process and limitle
I make pots because I love the process and limitle
Meaden, Lorna | Colorado
I am interested in having my work display both pra
I am interested in having my work display both pra
Meerfeld, Blair | Virginia
A successful body of work to me is a composite of
A successful body of work to me is a composite of
Mendes, Jenny | Ohio
EDUCATION
1983-1985
Penlan
EDUCATION
1983-1985
Penlan
Metz, Matthew | New York
My work is influenced by a variety of sources: As
My work is influenced by a variety of sources: As
Meyers, Ron | Georgia
Working in clay and making functional pottery has
Working in clay and making functional pottery has
Mickey, Stephen | Washington
The pieces I make are intended for the human hand
The pieces I make are intended for the human hand
Mills, Maureen | New Hampshire
My work continues to explore the contradictions of
My work continues to explore the contradictions of
Moh, Sebastian | Kentucky
I was raised on a small farm in Batu Pahat, Malays
I was raised on a small farm in Batu Pahat, Malays
Mori, Masahiro | Japan
Masahiro Mori was born in 1927 In Saga prefecture,
Masahiro Mori was born in 1927 In Saga prefecture,
Munns, Lynn | Wyoming
Lynn has devoted his life and work to the Fine Art
Lynn has devoted his life and work to the Fine Art
Murphy, Courtney | Montana
Courtney first began working with clay while livin
Courtney first began working with clay while livin
Murphy, Dan | Utah
My ceramic vessels are created swiftly and directl
My ceramic vessels are created swiftly and directl
Navarra, Douglas | New York
My pots are the conduit to understanding pottery a
My pots are the conduit to understanding pottery a
Neal, Ted | Indiana
I enjoy a dichotomy of styles in my use of the cla
I enjoy a dichotomy of styles in my use of the cla
Newgard, Karen | North Carolina
Growing up in spirited Louisiana gave me a sense o
Growing up in spirited Louisiana gave me a sense o
Noble, Brooke | New York
I enjoy making objects that can rescue one from th
I enjoy making objects that can rescue one from th
O'Connell, Sean | Montana
My pots are direct expressions of personal and aes
My pots are direct expressions of personal and aes
O'Connor, Shawn | Maine
A home cooked meal is still the essence of good, n
A home cooked meal is still the essence of good, n
Oesterritter, Lindsay | Kentucky
The patterns and surfaces in my work directly rela
The patterns and surfaces in my work directly rela
Oestreich, Jeff | Minnesota
The subject matter of my work is function. Of conc
The subject matter of my work is function. Of conc
Ogawa, Hiroshi | Oregon
“In Search of Shibui”
'Shibui’, a profound, qui
“In Search of Shibui”
'Shibui’, a profound, qui
O'Krongly, Kip | Minnesota
Functional pots act as an everyday backdrop for me
Functional pots act as an everyday backdrop for me
Oliva, Debra J. | Michigan
I describe my work as manifestations of the wisdom
I describe my work as manifestations of the wisdom
Olson, Wendy | Wisconsin
The content of my work is a visual journal of my l
The content of my work is a visual journal of my l
Paradis, Erin | Minnesota
“Belief in the significance of architecture is pre
“Belief in the significance of architecture is pre
Parke, Gillian | North Carolina
Fine bone china and porcelain are frequently assoc
Fine bone china and porcelain are frequently assoc
Pavelka, Kristin | Minnesota
I make functional candy-like glazed earthenware po
I make functional candy-like glazed earthenware po
Pedolsky, Lisa | Colorado
The slab constructed functional ceramics I create
The slab constructed functional ceramics I create
Peltzman, Douglas | New York
As a potter, I strive to craft a balance between d
As a potter, I strive to craft a balance between d
Peterson, Ronan Kyle | North Carolina
Essentially, I am dealing with affects of agents o
Essentially, I am dealing with affects of agents o
Pharis, Mark | Wisconsin
Functional pots have been a source of curious and
Functional pots have been a source of curious and
Philbeck, Ron | North Carolina
I make pottery from red earthenware clay that is t
I make pottery from red earthenware clay that is t
Phillips, Brandon | Texas
I make pots for everyday use, objects of beauty th
I make pots for everyday use, objects of beauty th
Pilcher, Don | Illinois
Don Pilcher has been making pottery pretty steadil
Don Pilcher has been making pottery pretty steadil
Polseno, Donna | Virginia
I strive to make pottery that carries with it a se
I strive to make pottery that carries with it a se
Posnak, Adam | Arkansas
Having grown up in Macon, Georgia, the culture of
Having grown up in Macon, Georgia, the culture of
Quinn, Brenda | New York
My work is inspired by and is a nod to the broad h
My work is inspired by and is a nod to the broad h
Radasch, Kari | Maine
In life I am most drawn to that which is decorativ
In life I am most drawn to that which is decorativ
Reitz, Don | Arizona
When I work I think a lot. Mostly it’s not about
When I work I think a lot. Mostly it’s not about
Rempe, Eric | California
I grew up in Lancaster, Pennsylvania. It is the ar
I grew up in Lancaster, Pennsylvania. It is the ar
Reneau, Davie | Kentucky
A friend from Arizona once commented to me that sh
A friend from Arizona once commented to me that sh
Rhodes, Barry | Georgia
Because I have a background in both physics and po
Because I have a background in both physics and po
Richardson, Ben | Australia
Roberts, Scott K. | Colorado
In the best of handwork there is a quality which e
In the best of handwork there is a quality which e
Roberts, Steven | Montana
I choose to create functional pottery because I am
I choose to create functional pottery because I am
Robinson, Elizabeth | Colorado
The pots I craft represent my place in the world,
The pots I craft represent my place in the world,
Robison, Stephen/Guss, Kathleen | North Carolina
Presently we are working with porcelain and terra
Presently we are working with porcelain and terra
Rolf, Steven | Wisconsin
As a potter, I make one of a kind functional objec
As a potter, I make one of a kind functional objec
Rosendahl | Copenhagen
The Danish design adventure began with a winestopp
The Danish design adventure began with a winestopp
Rosselini | Germany
Carola Hiersemann has been the soul of Rosselini f
Carola Hiersemann has been the soul of Rosselini f
Rothshank, Justin | Indiana
We believe that artwork and creativity are a catal
We believe that artwork and creativity are a catal
Rowan, Tim | New York
My art work flows from a basic desire to find and
My art work flows from a basic desire to find and
Rude, Mat | Iowa
EDUCATION
2007
M.F.A. Montana State University
EDUCATION
2007
M.F.A. Montana State University
Satake, Akira | North Carolina
For me, the act of creation is a collaboration bet
For me, the act of creation is a collaboration bet
Scherzer, Peter | Minnesota
Pete Scherzer grew up in Ohio and Montana, mostly
Pete Scherzer grew up in Ohio and Montana, mostly
Schoonover, Reid | Wisconsin
The work I produce is a conscious amalgam of a num
The work I produce is a conscious amalgam of a num
Schwartzkopf, Deborah | Washington
I find it rewarding and challenging to make pots p
I find it rewarding and challenging to make pots p
Schwieger, Brad | Ohio
Brad Schwieger has been teaching at Ohio Universit
Brad Schwieger has been teaching at Ohio Universit
Scott, Sam | Washington
I have been a ceramic artist in Seattle since 1968
I have been a ceramic artist in Seattle since 1968
Sekino-Bove, Yoko | Pennsylvania
There is a reward to creating functional pottery.
There is a reward to creating functional pottery.
Shaman, Laurie | Illinois
I make tabletop and wall pieces in porcelain or st
I make tabletop and wall pieces in porcelain or st
Shankin, Ellen | Virginia
I have been making pots for more than 30 years now
I have been making pots for more than 30 years now
Shapiro, Jeff | New York
I ‘look’ with the intent of perceiving the artist
I ‘look’ with the intent of perceiving the artist
Shapiro, Mark | Massachusetts
The town is sacked. Silver and gold, even bronze,
The town is sacked. Silver and gold, even bronze,
Shaw, Andrew | United Kingdom
References to contemporary culture, the world of a
References to contemporary culture, the world of a
Shaw, Andy | Louisiana
“Your relationship to objects is selective, person
“Your relationship to objects is selective, person
Shellenbarger, Jane | Michigan
My work focuses on a pottery idiom, incorporating
My work focuses on a pottery idiom, incorporating
Sikora, Linda | Alfred Station, New York
Jars and teapots have been central to my practice
Jars and teapots have been central to my practice
Silverstein, Barbara | Massachusetts
As a designer whose strength is minimal architectu
As a designer whose strength is minimal architectu
Singewald, Joe | Wisconsin
I am a potter because I love making pots. The pots
I am a potter because I love making pots. The pots
Skelton, John | Georgia
He works primarily in porcelain and white stonewar
He works primarily in porcelain and white stonewar
Smith, Amy | Nebraska
Working in clay allows me to converse within a sen
Working in clay allows me to converse within a sen
Smith, Gay | North Carolina
The movement and soft responsive feel of porcelain
The movement and soft responsive feel of porcelain
Smith, McKenzie | Florida
"The pottery I produce is made in stoneware clay a
"The pottery I produce is made in stoneware clay a
Snipes, Kevin | Illinois
Kevin Snipes was born in Philadelphia, but grew up
Kevin Snipes was born in Philadelphia, but grew up
Snyder, Stacy | Virginia
Each pot seeks its own place. The place found wher
Each pot seeks its own place. The place found wher
Sober, Aaron | Nebraska
Like a pair of work boots, my pots are made to be
Like a pair of work boots, my pots are made to be
Soleri, Paolo | Italy
(Born in Turin, Italy on June 21, 1919) was awarde
(Born in Turin, Italy on June 21, 1919) was awarde
Spain, Mitchell | Kansas
My work is about capturing the essence of used, re
My work is about capturing the essence of used, re
Spangler, Shawn | Illinois
I view my time making as a private act. Yet those
I view my time making as a private act. Yet those
Stanhope, Stacey | Vermont
Hi, I'm Stacey Stanhope and I cannot remember a ti
Hi, I'm Stacey Stanhope and I cannot remember a ti
Studio Potter Magazine | New Hampshire
The string starts to cut the clay. One hand holds
The string starts to cut the clay. One hand holds
Summerfield, Liz Zlot | North Carolina
I find function a vehicle for expression while als
I find function a vehicle for expression while als
Swanson, Will | Minnesota
I work with stoneware and porcelain clays, creatin
I work with stoneware and porcelain clays, creatin
Swyler, Karen | Vermont
Personal relationships are integral to our surviva
Personal relationships are integral to our surviva
Tanner, Joy | North Carolina
The focus in my wood and soda fired pottery is the
The focus in my wood and soda fired pottery is the
Tarkington, Beth | Georgia
There is a Greek word, Kairos, which loosely means
There is a Greek word, Kairos, which loosely means
Taylor, Elmer | Texas
In this day of high technology, we need to touch a
In this day of high technology, we need to touch a
Tefft, Charlie | North Carolina
In the summer of 2003 a pair of Carolina Wrens liv
In the summer of 2003 a pair of Carolina Wrens liv
Tennant, Al | Washington
My work is an amalgamation from a lifetime of obse
My work is an amalgamation from a lifetime of obse
Teran, Daniel Ricardo | Pennsylvania
My aim, as a potter, is to create an opportunity f
My aim, as a potter, is to create an opportunity f
Teruyama, Shoko | North Carolina
Growing up in Japan, I remember tradition being pa
Growing up in Japan, I remember tradition being pa
Thompson, Leslie | California
I have enjoyed working with geometric patterns sin
I have enjoyed working with geometric patterns sin
Tilton, John | Florida
I came to ceramics as a mathematics graduate stude
I came to ceramics as a mathematics graduate stude
Tirrell, Sue | Montana
All my life I have loved making things with my han
All my life I have loved making things with my han
Toikka, Oiva | Finland
(1931 - ) One of the greatest names in Finnish gla
(1931 - ) One of the greatest names in Finnish gla
Tornatore, Natalie | Michigan
My work, whether it is a large-scale installation
My work, whether it is a large-scale installation
Trebs, Jason | Minnesota
I try to make pots that are comfortable and intere
I try to make pots that are comfortable and intere
Troy, Jack | Pennsylvania
The beauty of anagama-fired work sometimes contrad
The beauty of anagama-fired work sometimes contrad
Trujillo, Sandra | Georgia
In my ceramics and drawings I will often rely on t
In my ceramics and drawings I will often rely on t
Tubbs, Ann | Michigan
Contemplation, and the expression of such, accompa
Contemplation, and the expression of such, accompa
Turner, Tom | North Carolina
Tom Turner works exclusively with wheel thrown hig
Tom Turner works exclusively with wheel thrown hig
Van Dusseldorp, Greg | Iowa
My creative endeavors include ceramic sculpture, p
My creative endeavors include ceramic sculpture, p
Veto Schmuck | Switzerland
These creations in Stainless Steel are reflected i
These creations in Stainless Steel are reflected i
VisGirda, Rimas | Illinois
I enjoy the contrast of hand-drawn images vs the g
I enjoy the contrast of hand-drawn images vs the g
Webb, Kurt Brian | Illinois
Kurt Brian Webb received his most meaningful educa
Kurt Brian Webb received his most meaningful educa
Weiser, Kurt | Arizona
For years the work I did in ceramics was an effort
For years the work I did in ceramics was an effort
Wiggins, Julie | North Carolina
As a studio potter, I make objects of enjoyment th
As a studio potter, I make objects of enjoyment th
Wilbur, Wynne | Missouri
My work is meant to be experienced at close hand i
My work is meant to be experienced at close hand i
Willard, Adero | Massachusetts
One unifying thread in my work is the manipulation
One unifying thread in my work is the manipulation
Williams, Betsy | New Mexico
At the core of what I do is the conviction that th
At the core of what I do is the conviction that th
Wilson, Lana | California
I definitely love to make stuff. For years I made
I definitely love to make stuff. For years I made
Wilson, Tara | Montana
Quiet pots initially speak softly yet reveal compl
Quiet pots initially speak softly yet reveal compl
Yamaki, Shumpei | Iowa
I feel free to communicate with my own language th
I feel free to communicate with my own language th
yoppolo, gwendolyn | North Carolina
To be held in the hands or touched to the lips, th
To be held in the hands or touched to the lips, th
